ISSUE 2: FILM

SPRING 2022

17: contributors. 6: poems. 5: films. 3: essays. 1: visual. 1: story.  1: diagram. 1: conversation.   

Untitled Film Stills by Josh Azzarella

A moment of observance and burgeoning obsession with Madeleine…

All Screens by Kelly Clare

Video endlessly loops to ask if the digital is a decoy…

Emotional Freedom Technique by Corina Copp

Can you inch backward a bit more…

Thinking About IT by Maxwell Endless

Pivotal moments are marked by big group hugs…

silent, minor, grave by Kaya Erdinç

Seven thousand hidden genres that originate from privacy…

Air EXCERPTS by Christine Herzer

The breakfast scene: Julia, Richard & lots of empty chairs…

Two Poems by Kelly Hoffer

Plaything. my coming apart will be a ray unneat…

Saint Walter by Eileen Jones

He’s perceptive, and can size people up quickly. It’s probably why he drinks…

I Need To Get Closer To Claire Denis: High Life
by Tobi Kassim

Orchestrated chaos your black hole eye…

Film Shadow Diagram by Kara Kendall

Peel the corner of the colosseum, light turns out…

The Inline Skating Question by Andy Martrich

While ancient ice skaters may have dreamed of skating beyond their frozen lakes onto dry-land…

RHYS Membrane by Jennifer Pilch

Scrawled red neon on Rue de la Gaîté…

Outopia by Helen Rollins

He is said to have suffered from delusional paranoia, believing at times that he didn’t even exist…

Gaspar Noé’s Perishable Camera
by Emmalea Russo

The Rectum, the club where Irréversible begins, is also the end of the digestive tract…

Bleu Électrique by Kyra Simone

A nymphomaniac trying to describe her depression to a therapist…

Spoilers by Eîlot Tuerie

At the end of Wanda, Barbara Loden eats a hotdog…

To Learn to Live with the Void of One’s Identity
A Conversation with Mary Wild

I actually saw one particular tweet about The Worst Person in the World…they thought it was depicting toxic masculinity…